What is your rate?

Since every project is unique, pricing is based on the overall scope: the number of images, type of retouching, number of review rounds, deliverables, and timeline. I typically provide a project quote upfront, which helps set expectations and allows for adjustments if anything falls outside the original scope.

I hesitate to provide an hourly rate because it doesn't accurately reflect how much can be completed within that timeframe. Every retoucher works at a different experience level. I am a senior retoucher with over 16 years of experience, and I work efficiently by leveraging customized actions and workflows that help streamline the process without compromising quality.

I'd be happy to review the assets and any retouching notes you have and provide a quote. If the project hasn't been shot yet, that's not a problem either.

I also value transparency. If you have a specific budget in mind, feel free to share it, and I'll see how I can help make it work.


What is your turn around time? 

Turnaround time varies depending on the scope of the project, including the number of images, the complexity of the retouching, the number of review rounds, and the delivery schedule. Once I've reviewed the assets and notes, I can provide a realistic timeline and confirm that it aligns with your needs.

If you have a deadline in mind, please let me know. I'm always happy to discuss schedules and work together to build a timeline that supports both the creative process and the project's delivery requirements.


What type of files should I send for you to work on?

High-resolution TIFF files in the Adobe RGB color space are preferred. I am also happy to receive RAW files, ideally with the photographer's color adjustments baked in, so that I can preserve the intended look while maintaining flexibility to recover blown highlights or plugged shadows when needed.


Why in the AdobeRGB colorspace? 

AdobeRGB is preferred because it retains more color information than sRGB & CMYK, giving me greater flexibility during retouching and helping maintain the best possible image quality throughout the process.

sRGB is primarily intended for web use and has a smaller color gamut than AdobeRGB. CMYK is intended for print production and has a more limited color range because it is based on four printing inks.

I always recommend keeping your working files in Adobe RGB and converting deliverables for web or print only at the final output stage. This helps preserve the maximum amount of color information throughout the retouching process.

Looking for more information or want to discuss a project? I'd be happy to chat! Email me at me@tomikadavis.com